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These nineteen papers focus on the 1480-1610 period in England, France and Spain, offering a range of views on the use of images to spectacular ends in institutional form or in artifacts. After a recall of what neurophysiology says about brain treatment of images and what dominant codings of image may have been in Renaissance commonalty culture, four studies examine the way propagandistic imagery operates and its various effects, from benign submission to fierce opposition. Most studies, however, review accepted or moot points regarding interpretation of plays or staging. Interestingly, even if the papers build on different premises, they come up with fairly consistent findings about theatrical coding and image reception. While the selection helps see why study of popular shows - including plays - needs be rooted in the broadest cultural context, it also illustrates how basic similitudes in the strategic use, and the impact, of images underlie superficial generic differences.

European drama --- History and criticism.

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Architecture --- Theatrical science --- Drama --- Iconography --- anno 1600-1699 --- anno 1500-1599 --- European drama --- -Theater --- -English drama --- -European drama --- -094:82-84 --- 76.045 --- Drama, Modern --- European literature --- English literature --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History and criticism --- -Congresses --- History --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Emblemen. Spreuken. Citaten --- Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- Conferences - Meetings --- English drama --- Theater --- Congresses. --- 76.045 Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- 094:82-84 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Emblemen. Spreuken. Citaten --- Congresses --- 094:82-84 --- History and criticism&delete& --- History&delete&